In this course students will learn about the musical heritage Africans brought to Brazil and how through forced conversion and cultural adaptation, their traditions quickly syncretized into distinct Afro-Brazilian artistic expressions. This course will explore many musical traditions, including; Samba, Pagode, Baile Funk, Candombl̩ and Ax̩ music for their social, religious and/or political significance, from the early twentieth century through today. In doing so, students will get to practice and learn the vocabulary and grammatical structures found in the music of these rich and varied genres, and acquire a familiarity with conversational Portuguese.

Processes explored and samples of previous classes
Pinhole Cameras
Cyanotype printing
Vandyke Brown printing
Hand-applied silver emulsion
Instant film transfers and lifts
Palladium printing

Course Description:
This class introduces students to unconventional photographic processes. Students will explore historic methods and materials that allow the extension of photographic imagery beyond the standard black and white or color print. The class will experiment with handmade emulsions and papers, incorporating photographic imagery into new and varied contexts such as drawings, paintings, and made books.

This collection of stories was written by Dakota Sioux author Zitkala-Sa, also known as Gertrude Bonnin. Helen Keller sent a testimonial letter to the author on August 25, 1919: "I thank you for your book on Indian legends. I have read them with exquisite pleasure. Like all folk tales they mirror the child life of the world. There is in them a note of wild, strange music." The text here presented was published in 1921 by Hayworth Publishing in Washington, D.C.

This assignment works toward developing students' competency in Inquiry and Problem Solving. The problem solving arises as they negotiate contradictory viewpoints about genres of American music, specifically related to topic areas covered in class (such as class, gender, identity, race, authenticity, and place).

This site is for those interested in ancient medicine and the medical humanities, both at Brooklyn College and around the world.
The medical humanities is a multidisciplinary field that embraces the study of medicine through the lenses of literature, history, philosophy, the social sciences, and the arts in the context of applied medicine and medical ethics. It draws upon these diverse disciplines in pursuit of medical educational goals, and in its continued valuation of liberal education supports classical ideals of critical analysis and the importance of cultural awareness in the sickness and health of society and the individual.
The guide is available at http://libguides.brooklyn.cuny.edu/ancientmedicine_goyette.
The XML file is available for download above.

This site is for those interested in ancient medicine and the medical humanities, both at Brooklyn College and around the world. It features open access web resources and other resources available to the City University of New York community. It is committed to the use of Open Educational Resources (OER).

The medical humanities is a multidisciplinary field that embraces the study of medicine through the lenses of literature, history, philosophy, the social sciences, and the arts in the context of applied medicine and bioethics. It draws upon these diverse disciplines in pursuit of medical educational goals, and in its continued valuation of liberal arts education supports the classical ideals of critical analysis and cultural awareness concerning the sickness and health of society and the individual.

The assignment helps students individually build a usable, expanding vocabulary of terms and concepts, enabling each to further contribute to the ongoing, evolving written, oral, and visual conversations centered on the use of and thought about animals for food, clothing, work, entertainment, experimentation, imagery, and companionship.

This assignment will help students of English Composition II to construct an annotated bibliography as a precursor to a research paper.

This course will cover literature from Spanish Antilles and will be conducted in English. We will include a study of foundational texts in translation, from the 19th and 20th centuries, as well as contemporary works by Cuban, Dominican, and Puerto Rican authors.

An overview of the most salient artistic movements in Postwar Europe: Art Brut, L'Informel, Grotesque, Nouveau Realisme

Created by Michelle Millar Fisher of the CUNY Graduate Center and Karen Shelby of Baruch College, "Art History Teaching Resources (AHTR) is a peer-populated platform for art history teachers. AHTR is home to a constantly evolving and collectively authored online repository of art history teaching content including, but not limited to, lesson plans, video introductions to museums, book reviews, image clusters, and classroom and museum activities. The site promotes discussion and reflection around new ways of teaching and learning in the art history classroom through a peer-populated blog, and fosters a collaborative virtual community for art history instructors at all career stages."

The Art & Architecture of Africa course (OL90) is designed to be an historical study of the plastic arts and traditional architecture produced by indigenous African societies from ancient Egypt down the Nile Valley to Central, East and Southern African regions. It also includes a broad overview of contemporary art practices across the continent.

This course explores the art and architecture of Jerusalem from the reign of Herod through the Crusades, a period in which the city came under successive Jewish, Roman, Byzantine, Islamic, and Latin domination. Particular attention will be given to the repeated transformation of the landscape of Jerusalem through the destruction, construction, and modification of important religious and cultural monuments. We will gauge the role of Jerusalem as an object of desire for the dispossessed and for pilgrims of three faiths. In addition, we will explore how the accretion of myth and memory shaped the city‰Ûªs symbolic identity, and how this imaginary ideal, as expressed in art and architecture, emphasized or denied the physical and political realities of medieval Jerusalem.

The Harlem Renaissance of the 1920s and 1930s, known during that time as the Negro Renaissance, affected a sea change in literary and artistic production. Whereas the early-20th-century avant-gardes in Europe had looked to black culture only as "primitive" inspiration, Harlem Renaissance practitioners asserted their status as agents of modern history and creators of black modernism. This important and tumultuous transformation can be tracked in the artistic expressions of the period, and in relation to key texts that shaped the movement. Planned visits to Harlem sites and collections, as well as to timely exhibitions elsewhere in New York, make this course exceptionally well suited to CCNY.