Haunted spaces are occupied spaces, inhabited by some force or trace of the past. In this course we will explore the various ways in which authors have employed hauntings to understand our relation to place and to the past, to issues of time, memory, knowledge, culture, history, and mortality. How do ghosts function both as objects to fear and as historical subjects with ethical and political potential? Why does literature insist on keeping the dead (and the Gothic) alive? In focusing our course on haunted spaces we will consider the text itself as a haunted site, asking questions about how and why we read , and what happens when we do. Both real and phantasmatic, texts hover between life and death, operating as conduits through which authors communicate, through which characters and events appear, again and again and again. We believe in ghosts.
English 162 is a course for non-English majors that uses literature to deepen the understanding of the rich, complex, and varied engagement between human beings and the places they inhabit and imagine. We will examine how places, with their history, traditions, myths, customs, tensions, social structures, and physical form interact with people's daily lives. In this course, we will read texts from various literary genres--novels, short stories, essays, memoir, poetry, and drama--to think about the myriad functions of place in a rich, complex, and varied engagement between human beings and the places they inhabit and imagine. Throughout the semester students will develop their skills of literary analysis, building arguments, and making connections among various texts, and communicating ideas effectively. Students will have the opportunity to practice and share these developing skills by participating in our class discussions, informal writing responses to readings online and in class, as well as in a formal academic essay, a midterm and final.
This is a general education course that satisfies the Literature requirement for the Queens Core under the CUNY General Education structure called Pathways. The course also satisfies the Reading Literature requirement under the Perspectives curriculum that was in effect at Queens

The main goal of this Environmental Science 99 Laboratory course is for you to think about how we interact with the environment, our impacts and the results of these, not just in our immediate vicinity but globally. We will focus on three main topics; sustainability, pollution and climate change.

An additional goal is to gain knowledge of the fundamental scientific basis of major environmental issues facing society, including climate change, air, soil and water quality, food production for a growing population, sustainable energy resources and biodiversity. We also consider these problems in the context of the current social, economic, & political environment. In addition to discussing these environmental challenges, we will address potential solutions and management practices that have been or could be implemented to mitigate the negative impacts of the current environmental issues facing our neighborhoods, cities, countries and planet.

What will you learn?
This tutorial will introduce you to using the Google Gemini API with Python to create your own custom AI tools. You'll explore how AI-driven sentiment analysis of student feedback can be applied to teacher performance reviews. You'll also learn techniques like prompt engineering to produce more useful analyses. By experimenting with Gemini, you'll gain a deeper understanding of the technology and, consequently, a more critical perspective on the potential use of AI in teacher performance reviews.

Who is this tutorial for?
The primary audience for this tutorial is educators and school administrators interested in exploring the technical aspects of AI in teacher evaluation. A secondary audience includes those looking to get acquainted with the Gemini API and sentiment analysis. It was originally offered as a workshop at the Queens College Library. You are welcome to use it for other workshops or self-study.

A basic understanding of Python is required.

Acknowledgement
This tutorial was made possible by a grant from by the CUNY Office of Faculty Affairs' Building Bridges of Knowledge project.

This book is a guide to the basic fetal pig dissection conducted as a part of the Queens College, CUNY Biology Department Bio105 General Biology: Physiology and Cell Biology course. This course is the first half our two-part series for biology majors. The actives are designed to be conducted over a three- 3-hour lab periods which focus on the relationship of form and function of the pig anatomy and physiology. Step by step instructions for the dissection are provided along with some microscopy tasks to look at the histology of key organs.
In addition to the full text of the book, we also provide a form with just the assessment portions of the book. This allows students to limit the printed material to just those pages.

Everyone eats. In this sense, the experience of food is common to us all. Yet the meanings we attach to food—as individuals with complex personal histories and needs, as members of particular cultures, communities, and belief systems—are remarkably diverse and powerful. In this course, we engage works by scholars, poets, and other writers to explore the significance of food as the source of inspiration and debate. This exploration will serve as a basis for our own writing. Our written responses will explore food as it relates to identity, social justice, and the environment—showing how far inquiry into one topic can stretch.

Course: ENG 110: Food as Philosophy, System, Controversy
Instructor: Nicole Cote
This project was first developed during the Open Pedagogy Fellowship (Winter 2021), through the Mina Rees Library at The Graduate Center.

Read more about this project: Cultivating Resources for the Future by Nicole Cote
https://gclibrary.commons.gc.cuny.edu/2021/04/22/cultivating-resources-for-the-future/

This course surveys Modern Greek literature in translation from the middle of the nineteenth century to the present. We will consider authors and their works not only for their individual stylistic elements, but also within the context of European literary and cultural movements. As a "W" course, we will also focus on the development of writing skills. We will devote some time each week to discussing writing issues and will workshop papers.

This course surveys Modern Greek literature in translation from the middle of the nineteenth century to the present. We will consider authors and their works not only for their individual stylistic elements, but also within the context of European literary and cultural movements. As a “W” course, we will also focus on the development of writing skills. We will devote several class sessions to reviewing the essential elements of writing.

In this course you get the opportunity to research a gentrifying neighborhood in NYC and develop a mini case study that examines housing and urban restructuring through a critical lens. Drawing on various methods (including field observations), weekly assignments, and discussions with your peers; you’ll build toward completing your case study over the 6-week period. During this time you will also learn:

how gentrification impacts affordable housing
why gentrification is a form of racial capitalism
what forms of local resistance exist
theories that attempt to explain how gentrification operates, and
methods for studying urban space

This course introduces the major social, intellectual, political, religious, and cultural trends of Europe during the early modern period.

This book is a guide to the basic histology lab conducted as a part of the Queens College, CUNY Biology Department Bio105 General Biology: Physiology and Cell Biology course. This course is the first half our two-part series for biology majors. The actives are designed to be conducted over a single 3-hour lab periods which focus on the relationship of form and function of the cellular and organ level anatomy and physiology. Step by step instructions for each slide set are provided for all the key organs.
In addition to the full text of the book, we also provide a checklist form with just the assessment portions of the book. This is to help summarize all the information the student should get from the activity.

This course is designed to immerse students into the practice of Italian conversation and into the world of verbal performance. We will familiarize with the vocabulary, expressions and registers that Italians use to express themselves on radio and television, in newspapers, caf̩s, universities, offices, and on the streets. We will discuss cinema and music, politics and sports; we will learn how to navigate job interviews and interactions with strangers, both friendly and hostile. All the while, we will review and expand our vocabulary and grammatical competencies.
Classroom activities include debates, skits, role-play scenarios, task-based scenarios, as well as more traditional close readings, presentations, and oral exams.

A collection of nine blog prompts developed for an introductory music course that incorporates world music, popular music, and Western art music through a topical (rather than chronological) organization. Each prompt asks students to synthesize course content or apply course concepts to music apart from their assigned listening. Full credit is earned if the student: writes around 200 words; uses musical and/or textual evidence to back up their observations; and leaves a substantive comment (2-3 sentences) on a classmate’s blog. These blog prompts reference passages and assigned listening from Cornelius and Natvig, Music: A Social Experience (2nd ed).

A small group activity in which students interpret an example of Renaissance dance notation: “The Washerwoman’s Branle,” taken from Thoinot Arbeau’s 1589 book Orchesography. Students are tasked with figuring out what information is communicated by each column, imagining how one might use the example to learn this dance, and considering the strengths and weaknesses of the notation method. This worksheet includes space to summarize the group discussion and an image of the dance notation divided by rectangles.

Six different definitions of music are included on this handout. In small groups, students read the definitions and discuss the following prompts included on the handout: What definition makes the most sense to you? Why do you think other people would disagree with your chosen definition? What’s one definition you don’t like? Best suited to the first week of classes, can also be used in courses like Music Fundamentals or World Music.