A unique perspective on the confluence of the three basic conceptual frameworks in human experience. Contains several studies, with data, of remarkable world views of disparate cultures based on their specific cultures language. The premise is that how people experience the world, then think about it, then create a language around it, alters their perception of the world in very fundamental ways. The radical notion is that thought and language, creates the circumstances of, and contribute to significantly different realities for different peoples.

The internalization and realization of this concept is significant and can possibly radically alter and change how different cultures assess their ability to, at the most basic levels, understand other cultures realities.

" The primary purpose of this seminar is to enable students to craft approaches to so-called "First World"/ "Third World" city comparisons that are theoretically sophisticated, methodologically rigorous, contextually grounded, and significantly beneficial. Since there exists very little literature and very few projects which compare "First World" and "Third World" cities in a sophisticated and genuinely useful manner, the seminar is structured around a series of readings, case studies, and discussions to assist students in becoming mindful of the potential and pitfalls of comparative analysis, the types of data, the methods of analysis, and the urban issues or sectors which may benefit the most from such approaches. The course is designed to be interdisciplinary and interactive, and is geared towards masters and doctoral students."

" This class explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Milton and Ford. It compares period thinking to present-day debates about the scientific method, art, religion, and society. This team-taught, interdisciplinary subject draws on a wide range of literary, dramatic, historical, and scientific texts and images, and involves theatrical experimentation as well as reading, writing, researching and conversing. The primary theme of the class is to explore how England in the mid-seventeenth century became "a world turned upside down" by the new ideas and upheavals in religion, politics, and philosophy, ideas that would shape our modern world. Paying special attention to the "theatricality" of the new models and perspectives afforded by scientific experimentation, the class will read plays by Shakespeare, Tate, Brecht, Ford, Churchill, and Kushner, as well as primary and secondary texts from a wide range of disciplines. Students will also compose and perform in scenes based on that material."

All in all, this course equips students to develop globally-engaged perspectives on musical cultures and to reflect critically on music’s relation to society for them to engage with sound and society in ethical ways.

Medieval and early modern Russia stood at the crossroads of Europe and Asia. In this course we will examine some of the native developments and foreign influences which most affected the course of Russian history. Particular topics include the rise of the Kievan State, the Mongol Yoke, the rise of Muscovy, Ivan the Terrible, Peter the Great, relations with Western Europe. How did foreigners perceive Russia? How did those living in the Russian lands perceive foreigners? What social relations were developing between nobility and peasantry, town and country, women and men? What were the relations of each of these groups to the state? How did state formation come about in Kievan and Muscovite Russia? What were the political, religious, economic, and social factors affecting relations between state and society? In examining these questions we will consider a variety of sources including contemporary accounts (both domestic and foreign), legal and political documents, historical monographs and interpretive essays.

Everyday we are bombarded with the word "global" and encouraged to see globalization as the quintessential transformation of our age. But what exactly does "globalization" mean? How is it affecting the lives of people around the world, not only in economic, but social and cultural terms? How do contemporary changes compare with those from other historical periods? Are such changes positive, negative or simply inevitable? And, finally, how does the concept of the "global" itself shape our perceptions in ways that both help us understand the contemporary world and potentially distort it? This course begins by offering a brief overview of historical "world systems," including those centered in Asia as well as Europe. It explores the nature of contemporary transformations, including those in economics, media & information technologies, population flows, and consumer habits, not through abstractions but by focusing on the daily lives of people in various parts of the world. This course considers such topics as the day-to-day impact of computers in Silicon Valley and among Tibetan refugees; the dilemmas of factory workers in the US and rural Java; the attractions of Bombay cinema in Nigeria, the making of rap music in Japan, and the cultural complexities of immigrant life in France. This course seeks not only to understand the various forms globalization takes, but to understand its very different impacts world-wide.

This course explores the ways in which humans experience the realm of sound and how perceptions and technologies of sound emerge from cultural, economic, and historical worlds. It examines how environmental, linguistic, and musical sounds are construed cross-culturally. It describes the rise of telephony, architectural acoustics, sound recording, and the globalized travel of these technologies. Students address questions of ownership, property, authorship, and copyright in the age of digital file sharing. There is a particular focus on how the sound/noise boundary is imagined, created and modeled across diverse sociocultural and scientific contexts. Auditory examples will be provided. Instruction and practice in written and oral communication provided. At MIT, this course is limited to 20 students.

Seminar designed to provide close case study examinations of specific media or media configurations and the larger social, cultural, economic, political, or technological contexts within which they operate. Subject organized around recurring themes in media history, specific genres or movements, specific media, or specific historical moments. Instruction and practice in written and oral communication. Topic: Comics, Cartoons, and Graphic Storytelling. Meets with CMS.871, but assignments differ.

Begins with the premise that the 1960s mark a great dividing point in the history of twentieth-century Western musical culture, and explores the ways in which various social and artistic concerns of composers, performers, and listeners have evolved since that decade. Focuses on works by classical composers from around the world. Topics to be explored include: the impact of rock, as it developed during the 1960s-70s; the concurrent emergence of post-serial, neo-tonal, Minimalist, and New Age styles; the globalization of Western musical traditions; the impact of new technologies; and the significance of music video, video games, and other versions of (digital) multimedia. Interweaves discussion of these topics with close study of seminal musical works, evenly distributed across the four decades since 1960. Works by MIT composers included.

Focuses on musical traditions of West Africa. A variety of musical practices and their cultural contexts are explored through listening, reading and written assignments with an emphasis on class discussion. Subject includes in-class instruction in Senegalese drumming, song and dance, as well as live lecture-demonstrations by guest performers from throughout West Africa. This course is an introduction to selected musical traditions of West Africa. A variety of musical practices and their cultural contexts will be explored through listening, reading, and written assignments, with an emphasis on class discussion. The course includes in-class instruction in West African drumming, song and dance, as well as lecture-demonstrations by guest artists. After an introductory unit, the course will be organized around four main geographical areas: Senegal, Mali, Ghana, and Nigeria. An in-depth study of music from these countries will be interspersed with brief overviews of Southern, Central, and East Africa.

Focuses on Hindustani classical music of North India, and also involves learning about the ancient foundations of the rich classical traditions of music and dance of all Indian art and culture. Practice of the ragas and talas through the learning of songs, dance, and drumming compositions. Develops insights through listening, readings, and concert attendance.

How people make sense of their worlds symbolically through myth, ritual, metaphor, and cosmology. The structure of symbols, the natural and social elements they draw on, their social use, and the messages they convey. Students learn to record and analyze myth and ritual.

A term project for undergraduate students of Latin American and/or border studies, focusing on the 1911 battle of Ciudad Juárez during the Mexican Revolution.

This course addresses the place of contemporary queer identities in French discourse and discusses the new generation of queer authors and their principal concerns. Class discussions and readings will introduce students to the main classical references of queer subcultures, from Proust and Vivien to Hocquenghem and Wittig. Throughout the course, students will examines current debates on post-colonial and globalized queer identities through essays, songs, movies, and novels. Authors covered include Didier Eribon, Anne GarrŽta, Abdellah Ta•a, Anne Scott, and Nina Bouraoui. This class is taught in French.

Subject offers a cross-cultural and trans-historical perspective on the problems of catastrophe and the process of memorializing. It asks what media and various art forms can offer to the project of collective memory. It engages key texts on the notion of "ground zero" in the urban cultures of Europe and Japan, and draws from them a provisional theoretical framework with which to analyze the public responses to the World Trade Center attacks. Topics covered include: The Enola Gay controversy, architectural sites at Hiroshima and Auschwitz, the aesthetic and iconographic dimensions of the events of September 11, and the media influence on our perception of global commerce, transportation systems, surveillance, non-Western cultures and oppositional political formations. Authors include Robert Musil, Maurice Halbwachs, Shusaku Arakawa, Michael Hogan, Ariella Azoulay, Chomsky, Freud, and Edward Said. Taught in English.

Survey and theoretical foundations in Puerto Rican and Latin@ studies. Case study on Puerto Rico. Pertinent themes in Puerto Rican and Latin@ history, culture, literature, contemporary society, and politics. Impact of the United States’ economic policies on Puerto Rico and the causes of Puerto Rican and Latin@ migration to New York City and urban centers. Satisfies Pathways Flexible Core U.S. Experience in its Diversity requirement.

The purpose of this course is to understand the socio-historical, political and economic influences on Latinos and Latin Americans by exploring the myriad ways in which colonialism and globalization promote the development of Latino diasporic communities in the United States. In order to understand the dynamic constructs of “Latina/o/x” identity and experience within the diasporas, the course will pay close attention to immigration and migration and its timing, the shifting dynamics of institutional inequality, prejudice, discrimination and racism over time. The course will compare not only Latin American societies to those of the U.S., but also differences among Latino groups in different regions of the United States.

This is an introductory course exploring intersecting histories, ideas, and social, political and cultural structures in Latin America. We will focus on the workings of Latin American cultures as shaped by race, ethnicity, class, gender, sexuality, place, and religion. Throughout this course we will ask: Where is Latin America and what is Latin America? Over the semester, we will ask critical questions of a wide variety of materials: essays, television, poems, photographs, films, music, visual art, historical documents and legal texts. Students will be exposed to and experiment with a wide range of current interdisciplinary theoretical and methodological approaches with particular attention to research approaches to the study of race, ethnicity, gender, sexuality and other categories of difference.

Official Course Description
"Examine critical research issues in Puerto Rican and Latinx studies. Introduce students to a
variety of ways of thinking about “knowledge" and to specific ways of knowing and making
arguments in Puerto Rican and Latinx studies using key humanistic, social science, and
"interdisciplinary methodologies."
Course Overview
How do we study U.S. Latino and Caribbean populations and cultures? Some read literature,
watch a film, read a history book… and others conduct interviews, do field work to identify and
describe social and cultural practices, or collect oral histories and traditions. Are you interested
in learning how to use different sources and methods to learn more about ethnic communities
in the United States? What is the contribution of ethnic studies to our knowledge about migrant
and underrepresented populations and their cultural manifestations? This class is a basic
introduction to cultural and social science research methods with a focus on Caribbean and Latino
Studies.
Furthermore, the course will introduce you to the research process, including how researchers
select topics, formulate research questions, design research, and analyze and interpret data. It
will explore differences in how these issues present themselves and are addressed in designs that
are quantitative, qualitative or both.
A Brief Note on the terms Latino/Latinx/Latine:
A majority of this course covers the diversity and heterogeneity that fall under the singular
designation of “Latino”. Many course readings (given their time period and purpose) may use the
term “Hispanic”, “Latino”, or “Latinx”. In the last few years, “Latinx” has been used to identify
one’s indigenous roots, and more recently, to describe works that critically engage with
questioning and challenging heteronormative functions that suppress diasporic Latin American
and Hispanic-Caribbean people in the United States. During our class discussions, Latinx/Latine
can be used at the discretion of students to demonstrate course material’s inclusivity of LGBTQ
experiences.

About Puerto Rican Latino Studies 4410 W5: Bilingualism in the 21st Century
This course is geared to increase the knowledge and awareness of prospective teachers about concepts and programs of bilingualism in the U.S. We will explore the history of bilingual education in the United States, policies, theories and practices. In addition, we will explore viewpoints on literacy for bilinguals or emergent bilinguals. We will also explore bilingual programs and the controversies and ideologies about bilingualism in the U.S. and the rest of the world.