Major narrative texts from diverse Western cultures, beginning with Homer and concluding …
Major narrative texts from diverse Western cultures, beginning with Homer and concluding with at least one film. Emphasis on literary and cultural issues: on the artistic significance of the chosen texts and on their identity as anthropological artifacts whose conventions and assumptions are rooted in particular times, places, and technologies. Syllabus varies, but always includes a sampling of popular culture (folk tales, ballads) as well as some landmark narratives such as the Iliad or the Odyssey, Don Quixote, Anna Karenina, Ulysses, and a classic film. This class will investigate the ways in which the formal aspects of Western storytelling in various media have shaped both fantasies and perceptions, making certain understandings of experience possible through the selection, arrangement, and processing of narrative material. Surveying the field chronologically across the major narrative genres and sub-genres from Homeric epic through the novel and across media to include live performance, film, and video games, we will be examining the ways in which new ideologies and psychological insights become available through the development of various narrative techniques and new technologies. Emphasis will be placed on the generic conventions of story-telling as well as on literary and cultural issues, the role of media and modes of transmission, the artistic significance of the chosen texts and their identity as anthropological artifacts whose conventions and assumptions are rooted in particular times, places, and technologies. Authors will include: Homer, Sophocles, Herodotus, Christian evangelists, Marie de France, Cervantes, La Clos, Poe, Lang, Cocteau, Disney-Pixar, and Maxis-Electronic Arts, with theoretical readings in Propp, Bakhtin, Girard, Freud, and Marx.
The purpose of this course is to provide further practice with a …
The purpose of this course is to provide further practice with a variety of genres that you’ll use throughout your college career and in your professional life. These genres include reflection, analysis, reporting, arguing, and self-assessment. While you likely had experience with these genres in your primary and secondary education, this class will provide you with an opportunity to expand and develop your range. In addition to exploring these genres, we will also develop our research practices to make use of City College’s virtual library.
This syllabus is for a Freshmen Inquiry Writing Seminar, which is a …
This syllabus is for a Freshmen Inquiry Writing Seminar, which is a two-section, collaboratively taught course wherein one of the two courses engages students in critical thinking, reading, and writing about the issue of language and literacy, while the other introduces students to conventions of academic writing and mentors them in social and rhetorical writing processes. Thus, this course draws on the topic of language and literacy as a vehicle for critically analyzing students' own languages and literacies and developing especially their academic and information literacies. Throughout the course, students are encouraged to reflect on their writing practice. As a culminating assignment for the course, students are asked in this assignment prompt to analyze their writing and writing process. They are asked to reflect on whether or not they met the course outcomes in their final paper and support their analysis with artifacts from their participation throughout the course.
This is a syllabus for a Freshman Inquiry Writing Seminar (FIQWS) content …
This is a syllabus for a Freshman Inquiry Writing Seminar (FIQWS) content section on American Musical Theatre. FIQWS is a six-credit courses taught by two instructors that combines a specific topic and an intensive writing seminar.
This assignment was developed with the global learning core competency rubric and …
This assignment was developed with the global learning core competency rubric and its dimensions in mind. The objective is for students to understand and articulate the intention of a play and the significance of choices the playwright makes. Students are also expected to articulate how the play fits into a social/political context on a global level and articulate how the student can relate or not relate to the point of view and why. This process provides the student an opportunity to open their minds to plays beyond entertainment purposes and have a deeper understanding of a writer‰Ûªs intention. LaGuardia‰Ûªs Core Competencies and Communication Abilities Main Course Learning Objectives: To understand and articulate the intention of a play and the significance of choices the playwright makes. Additionally, to understand and articulate how the play fits into a social/political context on a global level and articulate how the student can relate or not relate to the point of view and why. This process provides the student an opportunity to open their minds to plays beyond entertainment purposes and have a deeper understanding of a writer‰Ûªs intention.
This assignment is designed for any lecture based course that does not …
This assignment is designed for any lecture based course that does not inherently have collaborative work or assignments as part of the curriculum. For any student taking a theatre arts course, understanding how it is to work with others and create something is one of the biggest lessons that can be learned. To take the pressure off the idea of "performance", this playwriting assignment starts with the role of the Playwright and how to create from the ground up.
A survey of hazards specifically associated with working in theatres, performance venues, …
A survey of hazards specifically associated with working in theatres, performance venues, fabrication shops and live performances. Topics include potentially toxic chemicals, vapors, fumes and ventilation; shop conditions and working attitudes; proper preparation and planning; hazards associated with welding; and fire and life safety codes that relate to working in live entertainment.
This course is a survey of the development of architectural and scenic …
This course is a survey of the development of architectural and scenic styles in the physical structure of theatre from its beginnings in ancient Greece to its most current forms, with an emphasis placed on the stylistic influences of theoreticians and artistic movements. The class is a conversation between theater history and architecture. As such, the work focuses on purpose-built and adapted spaces for live performance. Each week we will examine historical theatre spaces and technologies in the context of prevailing cultural and social forces in order to better understand audience/stage relationships.
This course develops the theory and design of hydrofoil sections, including lifting …
This course develops the theory and design of hydrofoil sections, including lifting and thickness problems for sub-cavitating sections, unsteady flow problems, and computer-aided design of low drag cavitation-free sections. It also covers lifting line and lifting surface theory with applications to hydrofoil craft, rudder, control surface, propeller and wind turbine rotor design. Other topics include computer-aided design of wake adapted propellers, steady and unsteady propeller thrust and torque; performance analysis and design of wind turbine rotors in steady and stochastic wind; and numerical principles of vortex lattice and lifting surface panel methods. Projects illustrate the development of computational methods for lifting, propeller and wind turbine flows, and use of state-of-the-art simulation methods for lifting, propulsion and wind turbine applications.
Approaching analysis of Dramatic Literature can easily be accomplished via class discussion …
Approaching analysis of Dramatic Literature can easily be accomplished via class discussion and through writing. Since plays are “written to be performed”, other approaches of analysis must be explored. The collage assignment and synthesis focuses on the visual aspects of the writing and how the playwright offers clues as to what can or should be focused on.
This course is an interdisciplinary exploration of three broad topics concerning music …
This course is an interdisciplinary exploration of three broad topics concerning music in relation to time.Music as Architecture: the creation of musical shapes in time;Music as Memory: how musical understanding depends upon memory and reminiscence, with attention to analysis of musical structures; andTime as the Substance of Music: how different disciplines such as philosophy and neuroscience view the temporal dimension of musical processes and/or performances.Classroom discussion of these topics is complemented by three weekend concerts with pre-concert forums, jointly presented by the Boston Chamber Music Society (BCMS) and MIT Music & Theater Arts.
An introduction to the entertainment and interactive media technology industry including working …
An introduction to the entertainment and interactive media technology industry including working methods, processes, equipment and facilities for live, recorded, and interactive environments, including theatre, opera, dance, concert productions, theme parks, themed-retail, cruise ship venues, video production, immersive, interactive and virtual environments, and gaming technology.
A collection of nine blog prompts developed for an introductory music course …
A collection of nine blog prompts developed for an introductory music course that incorporates world music, popular music, and Western art music through a topical (rather than chronological) organization. Each prompt asks students to synthesize course content or apply course concepts to music apart from their assigned listening. Full credit is earned if the student: writes around 200 words; uses musical and/or textual evidence to back up their observations; and leaves a substantive comment (2-3 sentences) on a classmate’s blog. These blog prompts reference passages and assigned listening from Cornelius and Natvig, Music: A Social Experience (2nd ed).
A small group activity in which students interpret an example of Renaissance …
A small group activity in which students interpret an example of Renaissance dance notation: “The Washerwoman’s Branle,” taken from Thoinot Arbeau’s 1589 book Orchesography. Students are tasked with figuring out what information is communicated by each column, imagining how one might use the example to learn this dance, and considering the strengths and weaknesses of the notation method. This worksheet includes space to summarize the group discussion and an image of the dance notation divided by rectangles.
An icebreaker activity for the first day of class. Instructor introduces the …
An icebreaker activity for the first day of class. Instructor introduces the idea of the “Three Bs” in classical music, before introducing the “Three Bs” of current popular music (this instructor chose Beyonce, Bad Bunny, and BTS). Students choose their favorite “B” and pair up with others who made the same choice. Other grouping prompts can easily be substituted here, like favorite genre of music. Students then take turns interviewing each other, asking two questions and summarizing their partner’s answers in writing. At the end, groups can share their answers with the clas and the instructor can type them out on the Powerpoint.
A definition-focused worksheet about the musical elements based on vocabulary from the …
A definition-focused worksheet about the musical elements based on vocabulary from the textbook Music: A Social Experience, 2nd ed. by Steven Cornelius and Mary Natvig. This assignment can be easily reworked to match an alternative textbook.
The Music and… Playlist is a semester-long scaffolded writing assignment that I …
The Music and… Playlist is a semester-long scaffolded writing assignment that I designed to replace a midterm and final exam. (Scaffolding refers to breaking a larger writing assignment into step-by-step, cumulative stages.) This assignment requires students to: choose a social topic (e.g. coming of age, feminism, holidays); write a topic proposal describing how their topic relates to music; choose six pieces of music from different genres; write short playlist entries that discuss the social and musical characteristics of each piece; and create a slide presentation summary. The document below includes handouts for each stage of the assignment.
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