This course is an exploration of visual art forms and their cultural …
This course is an exploration of visual art forms and their cultural connections for the student with little experience in the visual arts. It includes a brief study of art history and in depth studies of the elements, media, and methods used in creative processes and thought. Upon successful completion of this course, students will be able to: interpret examples of visual art using a five-step critical process that includes description, analysis, context, meaning, and judgment; identify and describe the elements and principles of art; use analytical skills to connect formal attributes of art with their meaning and expression; explain the role and effect of the visual arts in societies, history, and other world cultures; articulate the political, social, cultural, and aesthetic themes and issues that artists examine in their work; identify the processes and materials involved in art and architectural production; utilize information to locate, evaluate, and communicate information about visual art in its various forms. Note that this course is an alternative to the Saylor FoundationĺÎĺ_ĺĚĺ_s ARTH101A and has been developed through a partnership with the Washington State Board for Community and Technical Colleges; the Saylor Foundation has modified some WSBCTC materials. This free course may be completed online at any time. (Art History 101B)
The history of Art is long and varied, spanning tens of thousands …
The history of Art is long and varied, spanning tens of thousands of years from ancient paintings on the walls of caves to the glow of computer-generated images on the screens of the 21st century.
Created by Michelle Millar Fisher of the CUNY Graduate Center and Karen …
Created by Michelle Millar Fisher of the CUNY Graduate Center and Karen Shelby of Baruch College, "Art History Teaching Resources (AHTR) is a peer-populated platform for art history teachers. AHTR is home to a constantly evolving and collectively authored online repository of art history teaching content including, but not limited to, lesson plans, video introductions to museums, book reviews, image clusters, and classroom and museum activities. The site promotes discussion and reflection around new ways of teaching and learning in the art history classroom through a peer-populated blog, and fosters a collaborative virtual community for art history instructors at all career stages."
The Art & Architecture of Africa course (OL90) is designed to be …
The Art & Architecture of Africa course (OL90) is designed to be an historical study of the plastic arts and traditional architecture produced by indigenous African societies from ancient Egypt down the Nile Valley to Central, East and Southern African regions. It also includes a broad overview of contemporary art practices across the continent.
In this art history video Beth Harris and Steven Zucker discuss Paul …
In this art history video Beth Harris and Steven Zucker discuss Paul Troost's House of (German) Art (1933-37) in relation to the Great Exhibition of German Art and the Entartete Kunst (Degenerate Art) Exhibitions of 1937 in Munich.
The House of German Art now exhibits international contemporary art in direct opposition to original National Socialist intent.
This course explores the art and architecture of Jerusalem from the reign …
This course explores the art and architecture of Jerusalem from the reign of Herod through the Crusades, a period in which the city came under successive Jewish, Roman, Byzantine, Islamic, and Latin domination. Particular attention will be given to the repeated transformation of the landscape of Jerusalem through the destruction, construction, and modification of important religious and cultural monuments. We will gauge the role of Jerusalem as an object of desire for the dispossessed and for pilgrims of three faiths. In addition, we will explore how the accretion of myth and memory shaped the city‰Ûªs symbolic identity, and how this imaginary ideal, as expressed in art and architecture, emphasized or denied the physical and political realities of medieval Jerusalem.
The visual narratives and abstractions of this preeminent African American artist explore …
The visual narratives and abstractions of this preeminent African American artist explore the places where he lived and worked: the rural South, Pittsburgh, Harlem, and the Caribbean. Bearden's central themesŃreligion, jazz and blues, history, literature, and the realities of black lifeŃendured throughout his remarkable career in watercolors, oils, and especially collages and photomontages from the 1940s through the 1980s.
The Harlem Renaissance of the 1920s and 1930s, known during that time …
The Harlem Renaissance of the 1920s and 1930s, known during that time as the Negro Renaissance, affected a sea change in literary and artistic production. Whereas the early-20th-century avant-gardes in Europe had looked to black culture only as "primitive" inspiration, Harlem Renaissance practitioners asserted their status as agents of modern history and creators of black modernism. This important and tumultuous transformation can be tracked in the artistic expressions of the period, and in relation to key texts that shaped the movement. Planned visits to Harlem sites and collections, as well as to timely exhibitions elsewhere in New York, make this course exceptionally well suited to CCNY.
This course will explore art since 1980 and consider the questions and …
This course will explore art since 1980 and consider the questions and ideas embedded in contemporary art in relation to prior historical movements. We will consider a range of questions, including approaches on how to write about contemporary art, when and where to apply philosophical theories, and what a social historical context for a body of work might be, as well as who, how, and why some artists make it into the art history books and others don‰Ûªt. There will be weekly presentations of texts in class and writing assignments that will encourage students to present their opinions on current exhibitions in relation to examples of the literature discussed in class.
This art history video discussion examines these portraits by August Sander: "Pastry …
This art history video discussion examines these portraits by August Sander: "Pastry Cook", gelatin silver print, 1928, "Secretary at a Radio Station", Cologne, gelatin silver print, c. 1931, and "Disabled Man", gelatin silver print, 1926.
This art history video looks at "The Painting Techniques of Barnett Newman: …
This art history video looks at "The Painting Techniques of Barnett Newman: Vir Heroicus Sublimis" Abstract Expressionist New York, The Museum of Modern Art, October 3, 2--April 11, 2011. Filmed by Plowshares Media; Music by Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz.
This art history video discussion examines Giovanni Bellini's "Saint Francis in the …
This art history video discussion examines Giovanni Bellini's "Saint Francis in the Desert", c. 1480, oil and tempera on poplar, 124.5 x 141.9 cm (The Frick Collection, New York).
No restrictions on your remixing, redistributing, or making derivative works. Give credit to the author, as required.
Your remixing, redistributing, or making derivatives works comes with some restrictions, including how it is shared.
Your redistributing comes with some restrictions. Do not remix or make derivative works.
Most restrictive license type. Prohibits most uses, sharing, and any changes.
Copyrighted materials, available under Fair Use and the TEACH Act for US-based educators, or other custom arrangements. Go to the resource provider to see their individual restrictions.
