A slide deck for a basic introduction to OER and copyright. To be used for professional development with faculty, staff, and administrators.

A slide deck for an OER and Open Pedagogy workshop. Feel free to make a copy in Google Slides and adapt away!

Downloadable Remote Teaching Resoures, Remote Synchronous Teaching Instructions, Embedded Librarianship, Research & Citation.

This resource covers the basics of how various online library services work for students and faculty, including information about remote library instruction and/or embedding a librarian in Blackboard.

Carrie and Kelly’s OER grant project will create open materials for Math 098. Community colleges throughout Oregon have been planning and implementing MTH 098 since 2014 based on recommendations from the developmental education redesign workgroup. The course was created to provide a shortened, more appropriate path for students to take MTH 105 and earn an Associate of Arts Transfer degree. Some institutions, such as Clackamas Community College, include the added benefit of allowing for MTH 105 to serve as a prerequisite to MTH 243, extending the pathway for students.

Their goal is to create materials that:

- Are learner-centered
- Readily integrate group work and collaboration
- Create opportunities for students to make critical thinking a habit of mind
- Acknowledge and respect common anxieties, personalities, and professional goals of students in the “alternate pathway”.

Visit their public MTH 098 course on MyOpenMath to learn more.

The following open course for Organismal Biology was created under an Affordable Learning Georgia Textbook Transformation Grant:

https://oer.galileo.usg.edu/biology-collections/14/

Included are four units containing a comprehensive set of learning modules with outcomes listed:

Biodiversity
Growth and Reproduction
Chemical and Electrical Signals
Nutrition, Transport, and Homeostasis

Intended for middle, high school, and early college classes, this learning resource takes a multifaceted look at 19th-century painting in France, as well as at the culture that produced and is reflected by that art. Organized by region, it provides a quick glance at the setting, history, and cultural life of Paris, the ële-de-France, the mountain areas of Franche-ComtŽ and Auvergne, Normandy, Brittany, and Provence as well as in-depth examinations of more than 50 works of art. The packetŐs classroom guide includes activities that bring the music, literature, politics, cuisine, and artistic strategies of 19th-century France to life. Recommended for social studies, history, French language, and art curricula.

by Rebecca Salois, Black and Latino Studies Department at BaruchThis special episode is brought to you by the Transformative Learning in the Humanities Initiative at the City University of New York. As part of this initiative, I was invited to speak on the topic of podcasts and the classroom. This episode is my public contribution to knowledge based on the information I shared in that workshop. 

This Reflection Toolkit, compiled by the faculty inquiry group (FIG), includes classroom strategies for integrating reflection into one's existing syllabi. The lesson plans highlight how to encourage effective student reflections.The toolkit includes best practices to facilitate reflection in classes across the disciplines in the context of a variety of student-centered activities (including group-work, online learning, and interactive modules).

CUNY Professors Millicent Freeman and Diane Banks led this two-hour workshop intended to raise awareness and discuss the complexities of an urban student's experience, and their narratives of resilience. This resource is the Power Point presentation used at the event. It includes a long list of resources for CUNY students' health and wellness. Millicent Freeman, (she/her) recently retired from the NYC DOHMH, Director of Outreach of Training at the New York City DOHMH Bureau of Sexually Transmitted Infections.  She is an Adjunct Professor at the Borough of Manhattan Community College, in the Department of Ethnic and Race Studies. She holds a masters’ degree in Health Education and PhD in Counseling.

Designed for use as a textbook in first-year college composition programs, written as a practical guide for students struggling to bring their writing up to the level expected of them by their professors and instructors.

This assignment is inspired by the learnings that arose from the workshop, “Fostering Play in the Classroom - Pedagogies to Build Creativity, Connection and Light to Oppressive Spaces”. Based on group dialogue, feedback, and the desire to build on pedagogies of play in the workshop, this science fiction short story assignment has been created as an additional layer of liberatory, contemplative learning for students that can be used/tweaked to work in a variety of courses. Powerful conversations arose in the workshop surrounding power/oppression, positionality and how this impacts our ability to engage in play, and the importance of holding both/and (i.e. - joy/sadness, pain/pleasure, restriction/liberation). This assignment attempts to deepen these reflections through creativity, storytelling, and removal of limits for dreaming in a world with obstacles. 

This assignment was created by Professor Bertrade Ngo-Ngijol Banoum, Ph.D., who is Chair of the Department of Africana Studies at Lehman College. The blog that follows is by Mariama Khan, and also can be found here.

This book has five chapters with three stories per chapter for a total of 15 units to work with. Each chapter has a small cultural research assignment with extra credit opportunities. It also contains hyperlinks to websites about vacations, food, and more. It is meant to be a supplement to in-class instruction. If you are new to TPRS, check out the methodology before jumping in. Feel free to contact me with any questions that you may have at jared.reynolds@yc.edu. I have taken care to make this my own work. All images are sited and contain a license that allows them to be used freely in this book. All written material is original.

Development and expansion of listening, reading, speaking and writing; comprehension, idiomatic expressions, and analysis. Varieties of the regional Spanish language, in such features as syntax, usage, structure, and pronunciation. Performance and diagnostic portfolio-based assessment. Includes preparation for New York State bilingual (Spanish-English) certification. This course is oriented towards language heritage and Latina/o/x/e/students who are preparing to work as professionals in Latine/x communities as teachers, lawyers, social workers, and other service professions. Some background and intermediate knowledge of the Spanish language is required. The course is strongly recommended for students in the Bilingual Teacher Education Program in the K-6 (Childhood) sequence.

In spring 2020, many of us were pushed to communicate and conduct classes through our electronic devices. The move to the virtual classroom, however, was not a simple 1:1 shift. Our interactions are being flattened to different degrees by video, audio, and textual modes that may or may not be happening at the same time. The move had effects that ranged from the subtle dimension of (not) seeing the physical expressions and reactions of others, to drastically rethinking how to accomplish different classroom engagements like lectures, students‰Ûª presentations, and discussions. Acknowledging this context, this workshop aims to explore the differences in how information, behavior, and activity are perceived/received in online settings, and to develop strategies to foster clear and effective communications on digital platforms.

This teaching packet discusses artistic movements of the late 20th century, including abstract expressionism, pop art, minimalism, conceptualism, process art, neo-expressionism, and postmodernism, with attention to their critical reception and theoretical bases. The packet considers works by 27 painters and sculptors including Jackson Pollock, Jasper Johns, Mark Rothko, David Smith, Martin Puryear, Anselm Kiefer, Susan Rothenberg, and Roy Lichtenstein (see full list below).

Thinking about how to go about converting your face-to-face course into an online class for the upcoming semester? Don't know where to start? You've come to the right place! This prep guide will help you to take some "bite sized" steps toward transitioning your course online. In addition to resources, there are several opportunities to get more support: including one-on-one conversations with CTL consultants, synchronous workshops, and asynchronous opportunities to engage with your colleagues at Baruch